On the bottom, the entire endcap is a giant smooth-spinning gain control. Tap it again, and the mic (and lighting) returns to normal. Just the slightest suggestion of a touch is all it takes, and the RGB lighting goes dark to tell you the mic is no longer hot. It’s a capacitive touch sensor that serves as a mute button. Up on top is the mic’s coolest, most distinctive (and sometimes troublesome) feature. Two of the mic’s three controls are within easy reach from the front. The lower half is a solid black cylinder, mounted to the stand via a double-ring shock mount. The top half of the mic has a distinctive backlit honeycomb – there’s an integrated pop filter in there, illuminated with a pair of RGB lighting zones. Visually, the QuadCast S looks smart and modern, standing about 10 inches high (the Blue Yeti, by comparison, is 12 inches) and about 2.2-inch in diameter. Given the older mic’s strong performance, the QuadCast S is not just a pretty face. Both sonically and mechanically, they’re essentially the same microphone, but that’s not a bad thing. The QuadCast S is a modest update to last year’s QuadCast. So how much effort could HyperX really have put into the audio part of this audio product?Quite a bit, actually. In fact, the QuadCast S actually has not one, but two lighting zones in its modest frame. Gaming accessory companies sometimes go overboard on lighting, and HyperX isn’t shy about packing its products with RGB lights. HyperX QuadCast S – Design and FeaturesUpon your first look at the QuadCast S, you’d be forgiven for assuming it’s a set of RGB lights that just happen to come with a microphone attached.
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